📅 1/9 - 18/10 | VACANCES | 3/11 - 30/11
En début d’année, chacun d’entre vous a un rapport différent avec l’anglais : certains se sentent déjà à l’aise, d’autres trouvent la matière plus compliquée, certains l’utilisent chez eux ou en voyage, d’autres seulement à l’école.
Ce questionnaire sert à mieux comprendre :
ce que vous savez déjà faire,
ce que vous aimez ou non,
vos envies et vos inquiétudes pour cette année,
la place que l’anglais occupe pour vous dans la vie quotidienne.
Il ne s’agit pas d’une évaluation, mais d’un outil pour que je puisse adapter mes cours, mes projets et mes activités. Plus vous répondrez honnêtement et en détail, plus cela m’aidera à rendre les cours intéressants et utiles pour vous.
Here are some key insights and trends from the data:
Strong Motivation and Engagement with English Outside of Class:
Many students demonstrate a high level of engagement with English through various media, such as watching movies and series, and playing video games in English. This indicates a proactive approach to learning beyond the classroom.
Several students express a genuine love for the English language, including its accents and culture, which serves as a strong motivator for their learning journey.
Some students actively seek real-world practice by traveling to English-speaking countries or interacting with foreign friends, showing a desire for practical application of their skills.
Common Challenges in Grammar, Vocabulary, and Oral Fluency:
A significant number of students identify grammar and vocabulary as their primary weaknesses, often struggling with sentence construction and finding appropriate words.
Improving oral expression and achieving greater fluency are common goals, suggesting that while comprehension may be strong, active speaking remains a challenge for many.
Anxiety and fear of making mistakes, particularly during oral presentations or exams, are noted by some students as barriers to participation.
Clear Aspirations for Practical English Use and Future Opportunities:
Students are highly motivated to improve their English for practical reasons, such as communicating effectively with others and enhancing their career prospects in international fields.
The desire to overcome specific difficulties, like pronunciation or the ability to generate arguments, highlights a focused approach to skill development.
The aspiration to live abroad or work in international environments underscores the perceived importance of English as a global language.
These insights suggest that while students are highly motivated and engage with English outside of class, they face common hurdles in formal aspects like grammar and vocabulary, and in developing confident oral fluency. Addressing these specific areas through targeted support could significantly enhance their learning experience and help them achieve their future aspirations.
Que ça soit à l'oral ou à l'écrit, la méthode D A R C O N et le TOOLBOX permettent aux élèves d'utiliser les stratégies et trouver les formules pour systématiquement faire 3 choses :
DÉCRIRE un document, une situation ou un sujet.
ANALYSER le document (genre, source, public et objectif) ou le sujet
RÉAGIR personnellement en exprimant son RESSENTI
Leurs propos à l'oral et à l'écrit deviennent complexes et enrichis à partir du moment que les élèves cherchent à :
CONNECTER et COMPLEXIFIER leurs propos avec les connectors : because, but, however...
ORGANISER et HIÉRARCHISER leurs propos :
Firstly, secondly, furthermore, above all, especially...
NUANCER avec les quantifiers, adjectifs et adverbes (so, a little, really, mainly, on the whole..)
This sentence, spoken by a Terminale student (final year of lycée), came out naturally in French. Our goal in the lycée is for you to reach the higher levels of the CEFR (A1, B1, C1, etc.), so that you can truly be yourself in English — able to share your knowledge and to express your ideas and emotions clearly and with nuance.
Cette phrase, prononcée par un élève de Terminale (dernière année de lycée), est venue naturellement en français. Notre objectif, au lycée, est que vous atteigniez les niveaux élevés du CECRL (A1, B1, C1, etc.), afin que vous puissiez réellement être vous-mêmes en anglais — capables de partager vos connaissances et d’exprimer vos idées et vos émotions avec clarté et nuance.
Tout d’abord, je voudrais devenir journaliste aux USA, cependant, je n’ai malheureusement pas encore fait un stage aux states, même si j’étais là bas en mai.
Personnellement, j’aurais aimé rester plus longtemps, malgré la situation politique actuelle que certains trouvent un peu problématique : ils se posent beaucoup de questions.
First of all, I would like to become a journalist in the USA, however, unfortunately, I didn’t yet do an internship in the states, even if I was over there in May.
Personally, I would have liked to stay longer, despite the current political situation that some people find a little problematic : they are asking lots of questions.
If you say the date, tell us also what's good or bad about Monay, or Friday, why today is different or special.
If you present the weather quote your emotions or the impact of the weather on your day or your person. Compare with yesterday or tomorrows forecast.
If you present 'what we did last lesson' be sure to say why we did it : because...
DESCRIBE : Define the type of document (GIF, video, poster, meme...) and the say what is happening in the image (using SUBJECT + IS VERB+ING).
ANALYSE : Ask who made this image and why.
REACT : Then give your personal opinion.
Somebody, for instance, has undertaken two trips to practice English and aspires to live in London, where her family resides.
Someone has traveled to Ireland and England, noting that his passions, sports and cinema, necessitate a strong command of English due to their international nature.
Someone attended a summer school in London for English classes and aims to pursue studies in Canada, having also participated in an exchange program in Dublin.
Someone has traveled to London and dreams of visiting the USA.
Someone took English classes in London two years ago.
Someone, who has been speaking English since childhood, stays sometimes in England and consistently works on improving her English skills.
Someone uses English when traveling to various countries like Italy and Germany, as it is the language they know best after French.
Someone's goal is to travel, and she has already visited English-speaking countries like the USA.
Someone desires to live in a foreign country and has already been to Scotland.
Someone has traveled to Australia and converses with people globally.
Someone has traveled to New Zealand and frequently communicates with foreign friends.
Note : The word problematique does not exist in English. The English word problematic is an adjective, eg : "He was a problematic child".
Choose a question as your essay title that allows you analyse and ask questions about the subject?
Your might use binary questions :
for or against question
advantages vs disadvantages
positive vs negative social impacts
winners vs losers in the social media landscape.
Or you might ask an open question : To what extent.... For what reasons.... How..... Why...
For example : Why are social media free to use and to what extent do social media users become the product being sold ?
Commence par identifier un thème ou un sujet d’actualité sur lequel tu vas écrire (par exemple : les réseaux sociaux, l’environnement, la place des femmes dans la société…).
Attention : le mot « problématique » n’existe pas en anglais
En anglais, le mot problematic existe, mais c’est un adjectif (“He was a problematic child” = c’était un enfant difficile).
Pour parler de la problématique d’un essai, on utilise plutôt les mots issue, problem statement ou research question.
Ton titre doit être une question qui invite à analyser et à réfléchir, et pas seulement à décrire.
OPTION 1 : Une question binaire (de type “for or against”)
Exemples :
For or against question → Should social media be regulated by governments?
Advantages vs disadvantages → What are the advantages and disadvantages of online learning?
Positive vs negative impacts → Do video games have a positive or negative impact on young people?
Winners vs losers → Who benefits most from social media: companies or users?
OPTION 2 : Une question ouverte (open question)
Ces questions commencent souvent par To what extent… / Why… / How… / For what reasons…
Exemples :
To what extent does social media influence political opinion?
Why are social media free to use, and to what extent are users themselves the product being sold?
How do online influencers shape consumer behaviour?
Ton essai sera plus intéressant si ta question oblige à analyser, comparer, et expliquer des causes et des conséquences, plutôt que simplement décrire.
Show the reader that you now what social media and social networks are.
Analyse the subject using a question.
Option 1 : Use questions : So who uses social networks and why ?
. So what are the different types of social media and what are their uses ?
So how do social media change our behaviours and our social interaction ?
Option 2 : Binary : For vs Against | Beneficial / detrimental | Winners vs Losers | Before vs After
Use your heart, your guts and your brain to explain how you feel about this subject or issue : what is your personal position and why.
ALIA & LISA : 2 journalistes préparent leur débat télévisé
CHIARA & AXEL : 2 experts ‘pour’ préparent leurs arguments
ELEA & MAIXENT : 2 experts ‘contre’ préparent leurs arguments
Les autres élèves ‘spectateurs’ préparent leurs arguments pour contredire les experts et épicer le débat et les faire travailler pour défendre leurs arguments 🙂
GRADING : 4 criteria x 5 points = 20/20
5 POINTS
PHRASING & VOCABULARY
VOCABULARY & ARGUMENTS BASED ON YOUR ESSAYS
5 POINTS
ARGUMENATION
I AGREE | I DISAGREE
"I understand but..."
5 POINTS
PRONONCIATION : SOUNDS
PRONONCIATION : SOUNDS
TH | ED | VOWELS etc
5 POINTS
ACCENTUATION
5 POINTS : ACCENTUATION
I want to know your opinion
If you see this arrow ⌄ you can open the text box.
⤸
It's the August bank holiday weekend and for so many that means one thing: the Notting Hill Carnival.
Two days of music, dancing, and celebration on the streets of West London. For some, it was their first time.
VOXPOPS
"It's lovely to hear, see her enjoy all this music, all the people, the food. You know, her feeling at home. It's lovely."
"It just brings everyone together. Always a great two days and we love it, and we want to get this one involved as early as possible."
"I like the floats, the music, and seeing the people walk round".
A CELEBRATION OF CARIBBEAN CULTURE
Now, more than anything, the event is a celebration of Caribbean culture — the steel bands, the food with jerk chicken on the barbecue, and stalls selling everything from curried goat to ackee and saltfish.
EMPIRE WINDRUSH
And it may never have happened had it not been for the arrival of the Empire Windrush 75 years ago, bringing hundreds from the West Indies to fill post-war labor shortages.
"It's about the culture, touching base with how we celebrate. It's about the steel pan. It's about all of us being able to celebrate in the way we do. Carnival started because of rioting, because of racial tension. It started because of rioting, racial tension.... So, from that, this."
MAS BANDS
And there's another milestone too: 50 years since Mas Bands were introduced. Short for masquerade, they're at the heart of Carnival — the costumes, the music, the floats.
SOUND SYSTEMS
1973 also marked the first use of sound systems, with music booming around the residential roads and dancing in the streets as much a part of the event as the parade. Carnival is all about bringing cultures and communities together at what is the biggest street festival in Europe. In fact, over the Sunday and Monday, around 2 million people are expected to come along.
FAMILY DAY
Day one is all about the children, billed as the Family Day, although some managed to nap despite the booming bass.
On Monday, the adults will party even harder. But this is about fun for all, whatever the age.
Emma Birchley, Sky News, West London.
THE WINDRUSH GENERATION
Definition: Refers to Caribbean migrants who arrived in the UK between 1948 and the early 1970s, many on the ship HMT Empire Windrush.
Origins: Britain invited workers from its Caribbean colonies to help rebuild the economy after WWII, due to labour shortages.
Consequences: They contributed significantly to sectors like transport, healthcare, and manufacturing. Their arrival reshaped Britain’s demographic and cultural landscape, but also led to racial tensions, discrimination, and — decades later — the Windrush scandal, which exposed injustices in immigration policy.
CARNIVAL AND CULTURAL FESTIVALS
Definition: Large street festivals celebrating Caribbean music, dance, and identity, with Notting Hill Carnival being the most famous in the UK.
Origins: Rooted in Trinidad’s Carnival traditions and brought to Britain in the 1960s by Caribbean communities, partly as a response to racial hostility and to affirm cultural pride.
Consequences: Now a major cultural event attracting millions, influencing British music (reggae, calypso, soca, steelpan) and fostering multiculturalism, though it has also faced challenges from policing controversies and debates on cultural representation.
THE "CARNIVAL KISS" & ICONIC GESTURES
Definition: The practice of police officers dancing, smiling, and posing for light-hearted photos (including kisses on the cheek) with carnival-goers.
Origins: Emerged particularly from the 1980s onward, when the Metropolitan Police sought to improve relations with Caribbean communities after decades of tension, especially following the 1976 clashes.
Consequences: These interactions became symbolic gestures of goodwill, softening the public image of the police and offering positive media coverage, though critics argue they can mask deeper issues of mistrust and over-policing.
THE 1976 CARNIVAL RIOT
Definition: A major clash between carnival-goers and police during the August Bank Holiday celebrations in Notting Hill, London.
Origins: Tensions had been rising between the Metropolitan Police and Caribbean youth, fuelled by racial discrimination, heavy-handed policing, and broader economic hardship.
Consequences: The violence, which resulted in injuries on both sides and hundreds of arrests, led to lasting mistrust between the police and the local community, but also prompted debates on policing methods at cultural events.
POLICING AND PUBLIC ORDER ISSUES
Definition: The security challenges and frequent confrontations between law enforcement and attendees at Notting Hill Carnival.
Origins: Since the 1970s, the carnival’s growing size — now attracting over two million visitors — has made crowd control and crime prevention a central concern for authorities, sometimes leading to a heavy police presence perceived as intrusive.
Consequences: While overall crime rates at the carnival are proportionally low, high-profile incidents have kept security in the spotlight, shaping how large multicultural events are managed in the UK.
MEDIA COVERAGE & PUBLIC PERCEPTION
Definition: How incidents of violence at the carnival have been reported and interpreted by British media and society.
Origins: In the 1970s–80s, certain newspapers focused heavily on clashes, framing the event as dangerous, often overlooking its cultural and economic contributions.
Consequences: This skewed portrayal reinforced racial stereotypes for some audiences, but also prompted community and cultural leaders to speak out, resulting in stronger efforts to promote the carnival’s positive identity and heritage.
What event is being reported in the video, and where does it take place?
Which cultural traditions and foods are highlighted as part of the Carnival?
What historical event is linked to the origins of the Notting Hill Carnival?
Why do the interviewees (vox pops) say the Carnival is important to them?
How did social tensions in the past contribute to the creation of Carnival?
What role do Mas Bands and sound systems play in shaping the identity of the event?
What do you think makes an event like the Notting Hill Carnival appealing to so many people?
Do you believe large cultural festivals are important for community life? Why or why not?
If you could attend the Carnival, which part (music, food, costumes, history, atmosphere) would you most enjoy, and why?
1. What event is being reported in the video, and where does it take place?
The video is about the Notting Hill Carnival, which happens every August in West London.
2. Which cultural traditions and foods are highlighted as part of the Carnival?
The Carnival shows Caribbean culture, with steel bands, Mas Bands, costumes, music, and food like jerk chicken, curried goat, and ackee and saltfish.
3. What historical event is linked to the origins of the Notting Hill Carnival?
It is linked to the arrival of the Empire Windrush in 1948, when people from the Caribbean came to Britain, and also to racial tensions and riots that led to the first celebrations.
4. Why do the interviewees (vox pops) say the Carnival is important to them?
They say it’s important because it brings people together, lets families enjoy music and food, and helps them feel at home.
5. How did social tensions in the past contribute to the creation of Carnival?
Carnival began as a response to racial tension and riots in London. It became a way for Caribbean communities to express their culture and celebrate together.
6. What role do Mas Bands and sound systems play in shaping the identity of the event?
Mas Bands bring the costumes, floats, and parades, while sound systems bring loud music and dancing in the streets. Together they make Carnival colourful, noisy, and joyful.
7. What do you think makes an event like the Notting Hill Carnival appealing to so many people?
It’s exciting because of the music, costumes, and food, and because it feels like a huge party where everyone can join in.
8. Do you believe large cultural festivals are important for community life? Why or why not?
Yes, because they bring people together, show respect for different cultures, and give communities a chance to celebrate.
9. If you could attend the Carnival, which part (music, food, costumes, history, atmosphere) would you most enjoy, and why?
I would enjoy the music and dancing most, because it creates a lively atmosphere and makes everyone feel connected.
So, let's talk about unity and diversity.
Let's start with this question : what forms can plurality and diversity take in today's world ?
They can be seen across beliefs, religions, lifestyles, and languages. These differences may appear at the level of individuals, communities, or entire nations. But do such differences always bring people together? Unfortunately, they can also cause division—whether through social class, economic inequality, or heated debates on issues like gender roles, same-sex marriage, or emerging global challenges such as terrorism, climate change, or automation.
Can diversity be more than a source of conflict?
Well, yes—it can also be a powerful asset. When individuals are open to mutual influence and change, society grows stronger. Does living together require effort? Absolutely. It means breaking down barriers, welcoming new perspectives, and engaging with others in a respectful and positive way. Sharing experience and knowledge is one of the best ways to grow. Sharing know-how and lived experience encourages innovation and helps societies to move forward.
So, is peaceful coexistence always easy?
Not at all. Differences can lead to tension or even conflict—especially when they turn into deep divides. When people reject what they don’t understand, it can result in exclusion, discrimination, or in the worst cases, violence and genocide. Even though multiculturalism and multilingualism are now viewed as strengths, they sometimes lead to marginalization and separation.
So, are all groups treated equally in diverse societies?
Well, sadly, no. Discrimination still targets minorities, women—often treated as second-class citizens—and the poor. This can create a divided society and it prevent real harmony between communities.
Does history offer examples of this?
Yes. For example, Apartheid in South Africa is a striking case of a political system that institutionalized division and inequality. Apartheid shows how power structures can harm society. Similar patterns appeared in the U.S. during segregation and even today with regards Native Americans. Similarly, in Australia, Aboriginal peoples have suffered cruelty and widespread exclusion. In Canada, indigenous children were taken from their families and forced into boarding schools that erased their cultural identity.
So, despite historical atrocities, can difference also unite people?
The answer is yes—if we choose to value and celebrate diversity. Cultural and sporting events, festivals, commemorations, and celebrations can bring people together. Music and sport can help create unity. These activities foster community, encourage a sense of pride and belonging, and promote inclusion—unlike systems that concentrate benefits among the privileged few while excluding other members of society.
Now watch and listen to the same text being read.
Now just listen to the text being read.
Now listen to Oxely talking about some of the main vocabulary.
Use these quizzes to revise the vocabulary for an in-class quiz.
Be prepared to answer the following questions in class.
What are some of the areas where diversity can be observed according to the text?
What are the potential positive outcomes of diversity?
What does the author mean by "living together requires effort"?
How does the text explain the dangers of rejecting differences?
What historical example is used to illustrate institutionalized division?
How are multiculturalism and multilingualism portrayed in the text?
What role do cultural and sporting events play in fostering unity?
Do you think diversity is more often a source of conflict or of strength in today’s world? Why?
Can you think of a country where peaceful coexistence between communities works well? What factors make it work?
In your opinion, what is the biggest obstacle to social unity today?
Is it possible to fully eliminate discrimination in modern societies? Why or why not?
Do you think commemorating past injustices (like apartheid or residential schools) helps society move forward? Explain.
How can young people contribute to building inclusive communities?
How do sports or music help create a sense of belonging? Give real-life examples if possible.
“Sharing experience encourages innovation.” Do you agree? Can you think of a field (education, science, culture…) where this is especially true?
Here are a few answer starters and ideas.
What are some of the areas where diversity can be observed according to the text?
Diversity can be seen in beliefs, religions, lifestyles, and languages. It appears at the individual, community, or national level.
What are the potential positive outcomes of diversity?
Diversity can be a source of strength. It encourages mutual influence, personal growth, innovation, and social progress when approached respectfully.
What does the author mean by "living together requires effort"?
It means that coexistence demands open-mindedness, breaking down barriers, accepting new perspectives, and working actively to build inclusive relationships.
How does the text explain the dangers of rejecting differences?
Rejecting what is unfamiliar can lead to exclusion, discrimination, or even violence and genocide in extreme cases.
What historical example is used to illustrate institutionalized division?
Apartheid in South Africa is mentioned as a political system that created racial segregation and inequality. Other examples include treatment of Native Americans and Aboriginal Australians.
How are multiculturalism and multilingualism portrayed in the text?
They are seen as strengths but also come with challenges, as they can still lead to separation and marginalization if not managed inclusively.
What role do cultural and sporting events play in fostering unity?
These events bring people together, promote shared pride, encourage community bonds, and offer a positive alternative to exclusionary systems.
Do you think diversity is more often a source of conflict or of strength in today’s world? Why?
It depends on the context. In some societies, diversity fosters innovation and cultural richness. In others, if not managed well, it can lead to social tensions due to fear, misinformation, or lack of dialogue.
Can you think of a country where peaceful coexistence between communities works well? What factors make it work?
Canada is often cited as a country promoting multiculturalism. Factors include inclusive laws, education, and public policies that respect cultural identity.
In your opinion, what is the biggest obstacle to social unity today?
Possible answers: systemic inequality, racism, political polarization, lack of education on diversity, or media-driven fear of “the other.”
Is it possible to fully eliminate discrimination in modern societies? Why or why not?
Probably not entirely, because prejudice is deeply rooted, but education, laws, and awareness can greatly reduce it and promote fairness.
Do you think commemorating past injustices (like apartheid or residential schools) helps society move forward? Explain.
Yes, because remembering prevents repetition, honors victims, and opens up necessary conversations about justice and reconciliation.
How can young people contribute to building inclusive communities?
By challenging stereotypes, participating in intercultural projects, promoting respectful dialogue, and using social media to share inclusive messages.
How do sports or music help create a sense of belonging? Give real-life examples if possible.
They bring people together regardless of background. Example: the Olympics or international music festivals like Glastonbury or WOMAD promote unity through shared experiences.
“Sharing experience encourages innovation.” Do you agree? Can you think of a field (education, science, culture…) where this is especially true?
Yes. In science, collaboration across cultures brings new perspectives and faster discoveries. In education, diverse classrooms foster creativity and problem-solving.
Listen to Oxley run through some of the questions and answers.
Let's move on to a new document.
THE ATTACKS OF JULY 2005
Definition: A series of coordinated suicide bombings targeting London’s public transport system during the morning rush hour.
Origins: Four British-born men with links to Islamist extremism detonated explosives on three Underground trains and one bus. The attacks were claimed to be in response to the UK’s involvement in the wars in Iraq and Afghanistan.
Consequences: 52 civilians and the four bombers were killed, and over 700 people were injured. It marked the deadliest terrorist attack in the UK since the 1988 Lockerbie bombing.
EMERGENCY RESPONSE AND PUBLIC RESILIENCE
Definition: The rapid mobilisation of emergency services and the solidarity shown by Londoners in the aftermath.
Origins: Police, firefighters, ambulance crews, and ordinary citizens worked together to evacuate victims and secure the city, despite the chaos and fear of further attacks.
Consequences: The response was widely praised and became a symbol of London’s resilience, leading to improved emergency planning, new protocols for multi-agency coordination, and stronger public awareness campaigns.
SECURITY, SURVEILLANCE AND SOCIAL IMPACT
Definition: The long-term changes in UK security policy and public attitudes following the bombings.
Origins: The attacks exposed vulnerabilities in the transport network and the threat from “homegrown” terrorism.
Consequences: Led to increased CCTV use, more robust counterterrorism laws, expanded surveillance powers, and a shift in public debate about security, civil liberties, and community integration.
Okay. Same subejct, new document. Here's an article from the Guardian from July 2025.
Now you can listen to the article being read aloud.
Here are the questions we'll be using to check understanding.
When did the 7/7 bombings take place, and how many people were killed and injured?
What was Ken Livingstone’s official position at the time of the attacks, and how did he respond publicly?
Where did the youngest bomber detonate his device, and how many people died in that incident?
Why does the author highlight the diversity of London in response to the 7/7 attacks?
How does the article contrast Ken Livingstone’s leadership in 2005 with contemporary political attitudes?
Why does Hugh Muir describe the attackers’ goal as an attempt to divide Londoners, and how was that resisted?
In your opinion, what role should political leaders play during national tragedies?
If a similar attack happened today, how do you think politicians and media would respond differently?
Do you agree with Livingstone’s idea that diversity is a strength, not a weakness? Why or why not?
What responsibilities do ordinary citizens have in resisting division and promoting unity in diverse societies?
Okay. So, same subject, but let's talk about cinema.
Here's the question we'll be debating in class.
Now let's see how your these documents and your hard work can come together in a BAC style question.
SUJET STYLE BAC
Le sujet porte sur la thématique Faire Société
Partie 1 (16pts)
Prenez connaissance des documents A, B, C (text, article Guardian et bandes annonces) et traitez le sujet suivant en anglais en environ 500 mots.
Taking into account their specificities, explain what the above documents and videos reveal about the importance, difficulties and possibilities associated with unity and diversity in modern society.
(L'enseignant, à partir de ses grandes lignes, va proposer un sujet plus nuancé et plus précise le jour de l'écrit)
Partie 2 (4pts)
Traduisez en français le passage suivant de l'article du Guardian.
(L'enseignant va proposer un extrait pour traduction).
LYRICS : BORN IN THE USA
Born down in a dead man's town
The first kick I took was when I hit the ground
End up like a dog that's been beat too much
'Til you spend half your life just to cover it up now
Born in the USA
I was born in the USA
I was born in the USA
Born in the USA, now
Got in a little hometown jam
So they put a rifle in my hands
Send me off to a foreign land
To go and kill the yellow man
Born in the USA
I was born in the USA
Born in the USA
I was born in the USA
Come back home to the refinery
Hiring man said, "Son, if it was up to me"
Went down to see my V.A. man
He said, "Son, don't you understand, now?"
Oh, yeah
No, no
No, no, no
I had a brother at Khe Sanh
Fightin' off them Viet Cong
They're still there, he's all gone
He had a woman he loved in Saigon
I got a picture of him in her arms now
Down in the shadow of the penitentiary
Out by the gas fires of the refinery
I'm ten years burnin' down the road
Nowhere to run, ain't got nowhere to go
Born in the USA
I was born in the USA, oh
Born in the USA
I'm a long-gone daddy in the USA, now
Born in the USA
Born in the USA
Born in the USA
I'm a cool rocking daddy in the USA, now
BRUCE SPRINGSTEEN'S 2025 SPEECH
“There’s some very weird, strange and dangerous shit going on out there right now. In America, they are persecuting people for using their right to free speech and voicing their dissent. This is happening now.
In America, the richest men are taking satisfaction in abandoning the world’s poorest children to sickness and death. This is happening now.
In my country, they’re taking sadistic pleasure in the pain they inflict on loyal American workers.
They’re rolling back historic civil rights legislation that has led to a more just and plural society.
They are abandoning our great allies and siding with dictators against those struggling for their freedom.
A majority of our elected representatives have failed to protect the
American people from the abuses of an unfit president and a rogue government. They have no concern or idea for what it means to be deeply American.
The America I’ve sung to you about for 50 years is real and, regardless of its faults, is a great country with a great people. So we’ll survive this moment.
Now, I have hope, because I believe in the truth of what the great American writer James Baldwin said: ‘In this world, there isn’t as much humanity as one would like, but there’s enough.’ "
LYRICS : BORN IN THE USA Translation
Né dans une ville morte,
le premier coup que j’ai reçu, c’est en touchant le sol.
Je finis comme un chien qu’on a trop battu,
au point de passer la moitié de sa vie à cacher ses blessures.
Né aux États-Unis,
j’suis né aux États-Unis,
j’suis né aux États-Unis,
né aux États-Unis.
Pris dans un petit problème dans ma ville natale,
ils m’ont mis un fusil dans les mains,
envoyé dans un pays lointain
pour aller tuer “l’homme jaune”.
Né aux États-Unis,
j’suis né aux États-Unis,
né aux États-Unis,
j’suis né aux États-Unis.
De retour à la maison, près de la raffinerie,
l’homme qui embauche m’a dit : “Fiston, si ça ne tenait qu’à moi…”
Je suis allé voir mon conseiller des anciens combattants,
il m’a dit : “Fiston, tu ne comprends pas ?”
J’avais un frère à Khe Sanh,
qui se battait contre les Viet Cong.
Ils sont encore là-bas, lui n’est plus là.
Il avait une femme qu’il aimait à Saïgon,
j’ai maintenant une photo de lui dans ses bras.
Dans l’ombre du pénitencier,
à côté des flammes des gaz de la raffinerie,
ça fait dix ans que je brûle la route,
nulle part où fuir, nulle part où aller.
Né aux États-Unis,
j’suis né aux États-Unis, oh,
né aux États-Unis,
je suis un père parti depuis longtemps aux États-Unis, maintenant,
né aux États-Unis,
né aux États-Unis,
né aux États-Unis,
je suis un père rock’n’roll aux États-Unis, maintenant.
BRUCE SPRINGSTEEN'S 2025 SPEECH : Translation
Il se passe en ce moment des choses très étranges, bizarres et dangereuses. Aux États‑Unis, des gens sont persécutés simplement pour exercer leur droit à la liberté d’expression ou pour manifester leur dissidence. Cela se passe maintenant.
Aux États‑Unis, les hommes les plus riches prennent satisfaction à abandonner les enfants les plus pauvres du monde à la maladie et à la mort. Cela se passe maintenant.
Dans mon pays, ils prennent un plaisir sadique à infliger de la douleur aux travailleurs américains loyaux.
Ils reviennent sur la législation historique en matière de droits civils qui avait conduit à une société plus juste et pluraliste.
Ils abandonnent nos grands alliés et prennent le parti de dictateurs contre ceux qui luttent pour leur liberté. Ils frappent les universités américaines qui ne plient pas devant leurs impératifs idéologiques.
Ils expulsent des habitants des rues américaines, sans respecter la procédure légale, en les envoyant dans des centres de détention à l’étranger. Tout cela se passe maintenant.
La majorité de nos représentants élus a échoué à protéger le peuple américain contre les abus d’un président inapte et d’un gouvernement hors contrôle. Ils n’ont aucun souci ni aucune idée de ce que signifie être profondément américain.
L’Amérique dont je vous ai chanté pendant 50 ans est réelle, et malgré ses défauts, elle reste un grand pays, avec un peuple formidable. Nous traverserons cette période. J’ai de l’espoir, parce que je crois en la vérité de ce qu’a dit le grand écrivain américain James Baldwin : « Dans ce monde, il n’y a pas autant d’humanité qu’on voudrait, mais il y en a assez.
Okay, so let's take a closer look at some basic notions about liberty, especially with regards the USA.
1. Freedom as a Foundational Concept in the United States
Freedom has been embedded in the United States’ identity since its creation. The Declaration of Independence (1776) affirmed that every person is born with basic rights, including liberty. The U.S. Constitution and its first ten amendments—known as the Bill of Rights—reinforce these values by protecting free speech, religion, and the press, among others.
The concept of liberty remains a defining part of how Americans see themselves and their country.
2. National Emblems and U.S. Presidents
Several symbols and figures represent this idea of freedom. The Statue of Liberty, a gift from France, stands at the entrance to New York Harbor, welcoming immigrants and symbolizing hope and liberty.
American presidents have also embraced and defended this ideal. Franklin D. Roosevelt, for instance, emphasized the “Four Freedoms” in a famous speech in 1941: freedom of speech, freedom of worship, freedom from want, and freedom from fear. These values later influenced the Universal Declaration of Human Rights.
3. The Struggle for Equal Rights
Despite the national focus on liberty, not everyone in the U.S. has historically enjoyed the same freedoms. For a long time, African Americans were denied equal rights and opportunities. Segregation laws kept Black people apart from white citizens in many public places.
The Civil Rights Act of 1964 marked a major step forward by banning discrimination based on race, color, religion, sex, or national origin. This helped bring legal protection to all citizens, but disparities remain in areas like income, education, and policing.
4. Who Truly Enjoys Liberty in the U.S. Today?
Today, some question whether freedom is accessible to everyone. Historically, only white male landowners were considered full citizens. It wasn’t until 1920 that women gained the right to vote with the 19th Amendment. Even now, debates continue over who can fully enjoy civil liberties in practice.
Issues like voter suppression, economic inequality, and racial profiling suggest that freedom is still not equally experienced by all Americans.
The Second Amendment to the Constitution gives Americans the right to bear arms. Some people defend gun ownership as a form of personal freedom, while others argue it puts public safety at risk.
A 2020 survey showed differences in opinions based on gender, ethnicity, community type, and political affiliation. For example, women and people living in urban areas were more likely to see guns as a threat than men or rural residents.
In 2025, this is a unique time in USA history to be talking about freedoms and liberty. This article from the Scientific American gives us a way into the subject.
Let's hear from some US citizens who believe that fascism has already arrived in the USA with the arrival of Donald Trump and that American Demoncracy is on its knees.
Now you can read a transcript of the video in order to identify key vocabulary.
https://www.youtube.com/watch?v=IXR9PByA9SY
(00:03) I’m a historian of totalitarianism. I look at fascist rhetoric. I’ve been thinking about the sources of the worst kinds of history for a quarter of a century. “Experts say the constitutional crisis is here now.” ”The Trump administration deporting hundreds of men without a trial.” "A massive purge at the F.B.I." "To make people afraid of speaking out against him." I’m leaving to the University of Toronto because I want
(00:34) to do my work without the fear that I will be punished for my words. The lesson of 1933 is you get out sooner rather than later. I’ve spent a lot of time in the last decade trying to prepare people if Trump were elected once, let alone twice. "Look what happened. Is this crazy?" [CHEERING] I did not flee Trump. But if people are going to leave the United States or leave American universities, there are reasons for that.
(01:03) One thing you can definitely learn from Russians — — is that it’s essential to set up centers of resistance in places of relative safety. We want to make sure that if there is a political crisis in the U.S., that Americans are organized. ”We’ve just gotten started. You haven’t even seen anything yet. It’s all just kicking in.” My colleagues and friends, they were walking around and saying, "We have checks and balances.
(01:30) So let’s inhale, checks and balances, exhale, checks and balances." And I thought, my God, we’re like people on the Titanic saying our ship can’t sink. We’ve got the best ship. We’ve got the strongest ship. We’ve got the biggest ship. Our ship can’t sink. And what you know as a historian is that there is no such thing as a ship that can’t sink. "The golden age of America has only just begun.” America has long had an exceptionalist narrative —
(02:03) fascism can happen elsewhere, but not here. But talking about American exceptionalism is basically a way to get people to fall into line. If you think that there’s this thing out there called America and it’s exceptional, that means that you don’t have to do anything. Whatever is happening, it must be freedom. And so then what your definition of freedom is just gets narrowed and narrowed and narrowed and narrowed,
(02:28) and soon, you’re using the word freedom — what you’re talking about is authoritarianism. Toni Morrison warned us: “The descent into a final solution is not a jump. It’s one step. And then another. And then another.” We are seeing those steps accelerated right now. There are some words in Russian in particular that I feel help us to understand what’s happening in the United States because we now have those phenomena.
(03:14) "Proizvol": It’s the idea that the powers that be can do anything they want to and you have no recourse. This not knowing who is next creates a state of paralysis in society. The Tufts student whose visa was removed because she co-authored an article in the Tufts student newspaper. [DESPERATE YELLING] I thought, what would I do if guys in masks tried to grab my student? Would I scream? Would I run away? Would I try to pull the mask off?
(03:49) Would I try to videotape the scene? Would I try to pull the guys off of her? Maybe I would get scared and run away. The truth is, I don’t know. Not knowing terrified me. It’s a deliberate act of terror. It’s not necessary. It’s just being done to create a spirit of us and them. "Prodazhnost": It’s a word in Russian for corruption, but it’s larger than corruption. It refers to a kind of existential state in which not
(04:20) only everything but everyone can be bought or sold. "Critics are calling this a quid pro quo deal between Adams and President Trump." "I’m committed to buying and owning Gaza." "He made $2.5 billion today, and he made $900 million." There’s an expression in Polish: "I found myself at the very bottom, and then I heard knocking from below." In Russian, that gets abbreviated to "There is no bottom." "We cannot allow a handful of communist radical left judges
(04:53) to obstruct the enforcement of our laws." What starts to matter is not what is concealed but what has been normalized. There is no limit to the depravity — ”President Trump did not rule out the possibility of a third term.” — and the sadism — “The White House released this video titled ASMR Illegal Alien Deportation Flight.” — and the cruelty that we are watching now play out in real time. “This facility is one of the tools in our tool kit that we
(05:21) will use.” You have to continually ask yourself the question, "Is this OK? Is there a line I wouldn’t cross? Is there something I would not do?" People say, oh, the Democrats should be doing more. They should be fixing things. But if you want the Democrats to do things, you have to create the platform for them. You have to create the spectacle, the pageantry, the positive energy, the physical place where they can
(05:51) come to you. Poland recently went through a shift towards authoritarianism. Unlike in Russia, unlike in Hungary, the media remained a place, in Poland, where you could criticize the regime. And as a result, democracy returned. The moral of Poland is that our democratic institutions — the media, the university, and the courts — are essential. You know you’re living in a fascist society when you’re constantly going over in your head the reasons
(06:39) why you're safe. What we want is a country where none of us have to feel that way.
Now let's start to imagine a debate between those who believe that Trump and his actions represent the end of American democracy and those who believe that Trump is the USA's saviour.
Here's a few questions to get started.
1. “Is the idea of American exceptionalism still valid in today’s world?”
💬 The video suggests that belief in U.S. exceptionalism prevents citizens from recognizing signs of democratic decline. Do you agree that this belief is dangerous? Can a democracy become blind to its own weaknesses?
Objective: Encourage students to evaluate the myth of exceptionalism and compare it with current global realities.
2. “What role should intellectuals, artists, and students play in resisting authoritarianism?”
💬 The speakers in the video mention leaving the U.S. to continue their work freely and helping to organize resistance abroad. Do intellectuals and students have a duty to act when democracy is under threat? Why or why not?
Objective: Promote reflection on civic responsibility, freedom of expression, and moral courage in difficult political climates.
3. “Where is the line between national security and civil liberty?”
💬 The video mentions mass deportations, surveillance, and the removal of student visas for writing an article. In your opinion, what actions by a government are justified in the name of national security? What should never be allowed?
Objective: Help students examine the balance between safety and freedom, and develop critical thinking about state power.
Now let's imagine a conversation between Elena (who a US citizen that believes that American democracy is over...) and Kyle ( a proud MAGA supporter who defends Trump).
Take a listen :
You can read this transcript of their exchange in order to identify key vocabulary.
👤 Elena – History professor, anti-authoritarian activist
“I study authoritarian regimes. I’ve seen the warning signs — and I see them now in the U.S. When a president threatens the press, disrespects the rule of law, and encourages violence, that’s not patriotism. That’s authoritarianism. We cannot keep telling ourselves ‘it can’t happen here.’ That’s what Germans said in the 1930s. America is not immune.”
🧢 Kyle – Proud MAGA voter, truck driver
“I’m not an expert, but I know what I feel. Under Trump, I could afford gas. I had work. He says what we think but can’t say. I don’t care about what some professor says about history — I care about today. If people want to leave, let ’em. We’re not becoming fascist, we’re just finally putting Americans first.”
Elena: “American exceptionalism has become a blinder. It keeps us from noticing when our institutions fail. People say, ‘We have checks and balances,’ like it’s a magic spell. But systems only work if people defend them.”
Kyle: “I believe in America. We’re different for a reason. We’ve helped the world more than any other country. Just because someone disagrees with how things are going doesn’t mean we’re collapsing.”
Elena: “It’s our responsibility — teachers, students, artists — to speak out. When freedoms are threatened, silence is complicity. Some of us are leaving not to escape, but to keep fighting where it’s still safe.”
Kyle: “That sounds dramatic. Most Americans just want to get through the day. People like me don’t get heard unless someone like Trump gives us a voice. I’m tired of being told I’m part of the problem because I want my country to work for me.”
Elena: “Deporting people without trials, canceling visas over a student article — that’s not security. That’s fear. That’s power used to silence, not protect.”
Kyle: “Look, we need to feel safe. If someone’s breaking the law or hurting our country, they should be gone. It’s not about cruelty — it’s about order. You can’t run a country on feelings.”
Time for debate in small groups.
After reading and/or listening to this debate, students can split into small groups and discuss these three questions :
Is belief in American exceptionalism helping or hurting U.S. democracy today?
Should educated citizens (intellectuals, students, artists) feel obligated to act when they see political danger?
Can you think of historical or recent examples where the line between safety and freedom was crossed?
It's time to report back to the class, in the third person, on the opinions, feelings and statements of your group members.
What were the main points of disagreement ?
Was concensus reached ?
Now it's your turn :
In teams of two, script and playout a debate between a person who believes that Trump is a threat to US Democracy and a Trump supporter who believes that Trump is defending Americans' best interests.
Okay. Now let's see how these themes might playout in the context of the BAC.
SUJET STYLE BAC
Le sujet porte sur la thématique xxxx
Partie 1 (16pts)
Prenez connaissance des documents A, B, C (xxxxxxx) et traitez le sujet suivant en anglais en environ 500 mots.
Taking into account their specificities, explain what the above documents and videos reveal about the xxxxxxxxx.
(L'enseignant, à partir de ses grandes lignes, va proposer un sujet plus nuancé et plus précise le jour de l'écrit)
Partie 2 (4pts)
Traduisez en français le passage suivant de l'article du xxxxxxxx.
(L'enseignant va proposer un extrait pour traduction).
Let's take a look at the Bridgerton Saison 4 trailer.
We'll be talking about this series later on.
Now let's take a look at this article from the Guardian about Bridgerton and characters' identities.
A difficult read ? Don't worry !
Here's are some summaries according to your level :)
The Bridgerton series, and especially the spin-off Queen Charlotte, are known for showing a world where Black and white people live as equals in 18th-century Britain. Many viewers appreciate this diverse casting. They enjoy seeing Black characters as queens, lords, and members of high society. For some, it’s refreshing and empowering.
However, not everyone agrees. Some historians and critics say this kind of “Black fantasy” can be problematic. They believe it creates a false version of history. For example, during Queen Charlotte’s time, slavery was still legal, and most Black people in Britain were poor or enslaved. In reality, there were very few wealthy Black people in the 1700s.
The series does not talk about slavery, colonisation, or the violence of the past. This silence worries some people. They say it hides the truth and gives the wrong idea — as if racism didn’t exist.
Other productions, like Queen Cleopatra or Sanditon, also include Black characters in powerful roles. This helps representation, but some fear it might confuse the public. If viewers believe these stories are historically accurate, they might think Black people always had freedom and status, which is not true.
Some experts suggest a better solution: either tell real stories of historical Black figures — like the film Chevalier does — or be honest about the fact that historical dramas are fiction, not reality.
In short, Bridgerton starts an important conversation. But it also shows how complex it is to mix race, history, and fantasy in entertainment.
Each week, the vocabulary wall will help you to identify the nouns and notions, verbs, adjectives and adverbs and rhetorical devices that will help you describe, analyse and react to themes adressed in class.
VERBS DRIVE YOUR SENTENCES
USE THESE WORDS TO SHOW THAT
YOU KNOW WHAT YOU'RE TALKING ABOUT
NUANCE YOUR PRODUCTIONS WITH
ADJECTIVES & ADVERBS
ARGUE & USE
RHETORIC
This video takes a more in-depth look at the inaccuracies of the series.
Here's a radio debate about how Bridgerton misrepresents various groups of people.
HOST : Good evening. I'm Bradford Kingsley and this is the Media Hour.
Tonight we’re discussing the Netflix hit series Bridgerton, and also its spin-off series Queen Charlotte.
We'll be discussing whether these shows represent progress for diversity in media, or do they distort history and the difficult truths about our past ?
With me tonight are two guests : first of all, to my left, Rachel Clarke, British TV Producer and an enthusiastic fan of the Bridgerton books and TV-adaptations.
And with us by video call, Angela Mboya, American Civil Rights Activist and author of "Hands Off Our Histories".
First of all Rachel : tell us a little about the place Bridgerton holds in your viewing habits.
RACHEL : Thank you, Bradford. First of all, I admire Bridgerton enormously, and I’ll say it clearly : Shonda Rhimes is a genius.
What she’s done is groundbreaking. For the first time in a mainstream historical drama, we see people of colour — Black women especially — as queens, duchesses, leaders. They are not just maids or background characters. They are powerful, sensual, and complex.
And let’s talk about the women. We see strong women who challenge the roles society gave them. Women who speak their minds, who take control of their desires, who don’t fit the size-zero model but still command the screen. That matters — because girls are watching. Representation is not just about race; it’s about shape, age, and agency.
ANGELA : Representation matters, yes. But not at the cost of truth.
Bridgerton is a fantasy — and that would be fine if it didn’t pretend to be set in the real world. In the 18th century, most Black people in Britain were enslaved, poor, or invisible in elite society. This show erases that history.
It gives a false picture. It lets people — especially those on the far right — say: “Look, everything was fine back then. Stop complaining.” It’s harmful. It helps people deny the trauma, the injustice, and the ongoing fight for civil rights.
You can’t rewrite the past and pretend that’s progress.
RACHEL : But no one is saying it’s a documentary! We all know it's fiction. This is an imaginative reconstruction — a “what if?” that allows Black women to finally see themselves in powerful roles. We’re not erasing history; we’re building hope.
ANGELA : But when you rewrite history without context, you invite ignorance. Imagine if someone made a show where the Holocaust never happened, or apartheid never existed — just so we could have a “positive” story. That would be unacceptable.
I do agree it’s beautiful to see diverse bodies, voices, and desires on screen. But don’t confuse that with justice. Real justice means telling the truth, even when it’s ugly.
HOST : Okay, our time is up. Thank you both. Rachel sees fiction as liberation, Angela sees it as a dangerous mask.
Perhaps the real challenge is to tell stories that inspire and educate — without forgetting the truths that shaped us.
Thank you to our listeners and goodnight from us all here in the studio.
Okay. Now let's see how these themes might playout in the context of the BAC.
SUJET STYLE BAC
Le sujet porte sur la thématique xxxx
Partie 1 (16pts)
Prenez connaissance des documents A, B, C (xxxxxxx) et traitez le sujet suivant en anglais en environ 500 mots.
Taking into account their specificities, explain what the above documents and videos reveal about the xxxxxxxxx.
(L'enseignant, à partir de ses grandes lignes, va proposer un sujet plus nuancé et plus précise le jour de l'écrit)
Partie 2 (4pts)
Traduisez en français le passage suivant de l'article du xxxxxxxx.
(L'enseignant va proposer un extrait pour traduction).